1. That would be frustarating because our plays are sopposed to be culturaly aware and we should be sensitive to this. If we are going to give this to another school who doesnt know all the cultral things we do there is no point. In our performances we discuss things like globalisation. We protest against it , but do it anyways. If we are all children of an international world we we see every custom and culture why should we only use one as our inspiration. There is so much to offer and so many things available for use to use and we are simply ignoring them. Even the people who are from the countries of globalisation and the western culture is their own , they should try to make it more international.
2. For me i think the best combination so far is scripted improvisation. No dialuoge is written or actions , but it states what happens in the scene and from there what it should convey to the audience. From here the actors or actresses can use their own skills and talents to their advantage instead of using what the scripts require.
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A website journal for M3 drama students currently researching and developing international playscripts on global issues.
1 comment:
Good comments. I like your idea of using an agreed upon scenario but then keeping the scene opne to improvisation. presumably if it is that fluid, then as wella s keeping the play fresh, it allows it to be open to re-interpretaiton each time it is performed, and to different 'accents' when it is performed in different places. What, do you think, are the disadvantages of this methos of recording a play script?
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